A TUCK BOOK easel and palette trademark symbol, The P versions are marked- PRINTED AND PUBLISHED BY RAPHAEL TUCK & SONS LTD. FINE ART PUBLISHERS BY APPOINTMENT TO THE LATE KING GEORGE VI, H.M. QUEEN ELIZABETH THE QUEEN MOTHER AND H.M. QUEEN MARY. COPYRIGHT. PRINTED AND MADE IN ENGLAND. or RAPHAEL TUCK & SONS, LTD. PUBLISHERS TO THEIR MAJESTIES THE KING & QUEEN. LONDON. PARIS. NEW YORK. DESIGNED IN ENGLAND-PRINTED IN GERMANY. the regular numbered versions are earlier about 1920 and are marked PUBLISHERS TO THE KING & QUEEN, LONDON, PARIS, NEW YORK paper toy books for children made in four sections and connected on the edges as they are designed to fold out sideways. One side has four images with slots in which to place the appropriate figural pieces, the other has two story pages and the front and back cover images. When not in use the figural pieces can be kept in the envelope section attached to the back cover with the instructions and the book can be folded up to it's original size. SOME come with fold out versions with envelopes and some with stapled versions where the pages do not fold out and no envelope. Some were reproduced by the SHACKMAN company.
Title
CINDERELLA SCENIC PANORAMA BOOK, foldout version with envelope
Prefix
P
Number
503
Item Comment
see P 505 for the stapled version, WITH 41 PICTURE MODELS OF FIGURES, ETC., FOR ARRANGING IN POSITION TO GIVE A THREE DIMENSIONAL EFFECT UNSEAL THE FLAP ABOVE, AND YOU WILL FIND AN ENVELOPE IN WHICH ARE A NUMBER OF MODELS OF FIGURES AND OBJECTS. THESE ARE FOR YOU TO FIT INTO THEIR PLACES IN THE BACKGROUNDS OF THIS PANORAMA TO MAKE UP FASCINATING SCENES SHOWING THE STORY OF CINDERELLA. TO GUIDE YOU, EACH MODEL IS NUMBERED, AND THERE ARE CORRESPONDING NUMBERS BY THE SLOTS IN THE BACK-GROUND INTO WHICH THE MODELS ARE TO BE FITTED. THE SECOND SCENE IS A TRANS TRANSFORMATION SCENE, WHICH YOU WILL SPECIALLY ENJOY MAKING UP. AS YOU WILL SEE, IT HAS TWO SETS OF MODELS, ONE FOR BEFORE THE TRANSFORMATION TAKES PLACE, THE OTHER FOR AFTER. THE FIRST CONSISTS OF CINDERELLA IN HER RAGGED DRESS, THE OLD WOMAN, THE PUMPKIN, AND THE RATS AND MICE; THE SECOND HAS CINDERELLA IN THE BALL-DRESS, THE FAIRY GODMOTHER, THE COACH WITH COACHMAN AND FOOTMEN. THE REMAINING MODELS IN THE SCENE (E.G. STOOL, COAL-SCUTTLE) REMAIN THE SAME IN BOTH CASES. WHEN YOU HAVE FIXED THE MODELS IN THEIR SLOTS, BEND THEM OUTWARDS WHEN A REALISTIC THIRD DIMENSIONAL EFFECT IS PRODUCED
